Future Cinema workshops October 16, 2009
Posted by admin in : Uncategorized , add a commentOn Thursday 15th Oct and Monday 18th Oct we will cover some ideas and resources relating to interactive-cinema and Future-Cinema, these included:
Zbigniew Rybcinski: The Orchestra (1990)
http://www.zbigvision.com/
This early HDvideo film uses extensive motion-control cinematography, with camera-movements rigorously plotted against a digital print-out of the audio-volume envelope, to create a work that combines music, choreography, dance, costume, - with the motion-control rig creating a kind of ‘choreographed camera’ - in a highly surrealist style.
AES+F: The Last Riot (2007)
http://www.aes-group.org/
This remarkable multi-screen video was the Russian entry at the Venice Biennale in 2007 - an immersive multimedia, multi-screen experience with Wagnerian-style classical music. The film makes extensive use of computer-generated animation, film loops and colour-keyed live action with dancers and actors.
We agreed that each student would bring an example of work that would be relevant to Future Cinema - and present this on Monday 18th (max 10mins each).
We looked at a number of relevant websites and online interactive works, selected from a list that included:
Jackson Pollock by Miltos Manetas, original design by Stamen, press any key to s
SHOWstudio - THE REPLENISHING BODY - Celebrity Gallery
SHOWstudio - THE REPLENISHING BODY - Public Gallery
YouTube - AES+F, Last Riot, 2005-7
DYLAN – EVERYTHING EXCEPT COMPROMISE
liveplasma music, movies, search engine and discovery engine
visualcomplexity.com | Liveplasma
Musicovery : interactive webRadio
Jonathan Joly - CGI 3D Multimedia - Welcome to Jonathan Joly.com
TimeSpace: World - washingtonpost.com
YouTube - PETER GREENAWAY: CINEMA OF THE FUTURE pt1
Epic 2014 & Epic 2015 - Museum of Media History
Internet Archive: Free Download: Communications Primer, A
TouchGraph | Products: Navigator
5 Best Data Visualization Projects of the Year | FlowingData
The Chelsea Arts Club Trust | The Exquisite Corpse
CINEMATRIX: Interactive Audience Participation Technology
History of the Internet on Vimeo
http://aclu.org/pizza/images/screen.swf
Yapper Design - Audio Visual Techniques
Fitna - Documentary about Islam Video
Chris Harrison - WikiViz: Visualizing Wikipedialeonardo-study-of-man.jpg 500×500 pixels
Manfred Clynes - Wikipedia, the free encyclopedia
The Man-machine and Artificial Intelligence
YouTube - The Man Machine (Live, Minimum-Maximum) - Kraftwerk
YouTube - Kraftwerk - The Robots
cat_robot_lg.jpg 591×872 pixels
3DVISManfred MOHR introduction at the Digital Art Museum
Aleatoric music - Wikipedia, the free encyclopedia
The History of Algorithmic Composition
Generator.x » John Maeda at Fondation Cartier
COMPUTERGRAPHICA: generative arts
Amazon Online Reader : Screen: Essays on Graphic Design, New Media, and Visual Culture
Generator.x: Software and generative strategies in art and design
dataisnature.com » Art.ficial Emotion
Open Directory - Computers: Artificial Life: Artificial Worlds
Generative art - generated, artificial, random, software
Generative Art Conference, Milan
vague terrain 03: generative art: editorial
vague terrain 03: generative art: ben fry / casey reas
Blackbeltjones/Work: » Clayton Cubitt interviews Tom Carden on “Generative Art”
EvoWeb - EvoWeb member - Dr Mauro Annunziato
Yugo Nakamura / Multimedia Designer (1970-) - Design/Designer Information
Marius Watz: AV.06 Illuminations
Media Art Net | Generative Tools | Generative Art
SM2220 Generative Art & Literature
toxi: generative interactive objects, art, demos, tools, source code
Manfred MOHR introduction at the Digital Art Museum
http://www.emohr.com/tx_gom_e.html
Paul Brown An Emergent Paradigm at the Digital Art Museum
Xah: Algorithmic Mathematical Art
Stephen Wolfram: A New Kind of Science
Geomorphs: Top-level Index of Evolved Surfaces
Mozart’s Musikalisches Würfelspiel
Futures Past: Twenty Years of Arts Computing (CHArt 2004)
Artist and Computer - HIROSHI KAWANO
http://www.emohr.com/nakekatalog_e.html
When will computer hardware match the human brain? by Hans Moravec
timeline of net art (open source)
Color organ - Wikipedia, the free encyclopedia
Artfacts.Net: Ludwig Hirschfeld Mack
TELEVISION MANIFESTO OF THE SPATIAL MOVEMENT Art Minimal & Conceptual Only
Before the Internet there was Mail Art
latham Genetic Art from the Virtual World
Paul Friedlander <<<==>>> Visual Music
Marco Barnig’s music pages: Musical Dice Games
Musical Saw and Theremin Page-Theremin
ARTISTS ON LINE: Thomas Wilfred and his Clavilux
duchamp, TOUT-FAIT: The Marcel Duchamp Studies Online Journal
JAZZ AND ABSTRACTION IN BEAT-ERA FILM
Jordan Belson, Last of the Great Masters — iota
Frameworks Archive May - August 2003: This week [June 29 - July 6, 2003] in avant garde cinema
The Beat Goes On - Filmography
Light Moving in Time belson etc
VERBINDINGEN : :: 5 :: : JONCTIONS
whitney music box var. 1 - harmonics of 55hz
September 20th 2005: Generative Art Now. An Interview with Marius Watz
Generator.x » Generator.x.conference
Golan Levin keynote at Cybersonica
Neon Organic: Facade projection
vvvv: a multipurpose toolkit : vvvv : a multipurpose toolkit
vvvv: a multipurpose toolkit : Propaganda
Examples \ Processing 1.0 (BETA)
Download \ Processing 1.0 (BETA)
- * BITFORMS * *
- Yellowtail - Animated, Real-Time Pattern Playback
- Mozart’s Musikalisches Würfelspiel
- NOEMA > IDEAS
- Mary Ellen Bute: Seeing Sound
- floccus
- Manfred MOHR 1999 space.color at the Digital Art Museum
- toxi.co.uk :: the hub
- SCRUNCH - squidsoup.com
- :: squidsoup ::
- Amaranth Publishing Music Pages
- http://people.bath.ac.uk/maspmh/research/
- David Rokeby : Seen
- David Rokeby : SeenConcept Mapping Homepage
- Concept Mapping Homepage
- http://www.mindjet.com/
- IHMC Concept Map Software
- Learning Skills Program - Concept Mapping
- musicplasma : the music visual search engine
- Welcome to Inxight Software, Inc.
- MindCad
- netomat®
- Mind Mapping Software - Download SmartDraw FR…
- mapping heads - Ideagraph, Tinderbox - interf…
- A Concept Map-Based Knowledge Modeling Approach to Expert Knowledge Sharing
- https://portal.acm.org/poplogin.cfm?dl=GUIDE&coll=GUIDE&comp_id=377281&want_href=delivery%2Ecfm%3Fid%3D377281%26type%3Dpdf&CFID=37578186&CFTOKEN=3369530
- Google Search: concept map-based software
- Concepts Maps in Collaboration Tutorial
- Human Performance Center, Seamless Product Information, Data Exchange and Repository
- amaztype
- Eastgate Tinderbox: the tool for notesListen Up! Newsblog: The Future of Media is H…
- Unisys | Exec | Envisioning the Future of Media
- NarrowCast Media - The Future of Media!
- Institute for the Future | People | Paul Saffo
- Amazon.com: Books: FutureCasting Digital Media
- Google Search: technology forecasting
- GBN: A Radically Decentralized or Integrated …
- http://www.kurzweilai.net/
- ZDNet AnchorDesk: The future according to Bil…
- Whole Earth: The Art of the Long View: Planning for the Future in an Uncertain World
- Activities - The Interdisciplinary Center for Technology Analysis & Forecasting at Tel-Aviv University
- Future Feeder
- esp@cenet Quicksearch
- Jonathan Schwartz’s Weblog
- TRENDWATCHING.COM: now the world’s most visited source for Consumer Trends and Insights.
- Future Feeder
- engine2_6_b896
- US NSF - About - History - America’s Investment in the Future
- About Us
- Envisioning (and Inventing) the Future
- Doug Engelbart: The Demo - Google Video
- Future Workshops
- Classic Futures Research Texts: Jim Dator’s Bibliography
- A-056 Ideas for teaching about temporal globality
- New Media Art - History - Billy Kluver - M/Cyclopedia of New Media
Eye tracking October 15, 2009
Posted by admin in : Uncategorized , add a commentFor a single user you might want to consider something like infrared eyetracking as used by Golan Levin in this piece
Here is an experimental films making project using eye tracking might be of used to one of you.
Recognising objects October 15, 2009
Posted by admin in : Uncategorized , add a commentHere are some useful thing that you might want to know! This morning we discussed the idea that you might want to recognize objects on for example a table. One of the ways in which you could do this is by using the Reactable fiducial symbols.
To use the coding with these might be a bit daunting but we do have 10 copies of MAXMSP with Jitter, this is a modular programming tool that can be used with video and external devices.
List of Useful Software Applications October 2, 2009
Posted by admin in : Mostly Technical, Uncategorized , comments closedI’ll give you a little look at each one of these in the introductory session. While this unit is going to be about developing new narrative forms for today’s young audience, there will be a need to have tools to develop prototypes.
OK there will be lots of others we will talk about, supercollider, modul8, Arkaos etc
Introduction(Cinema is dead long live cinema) October 2, 2009
Posted by admin in : Uncategorized , add a comment
Born in Wales and educated in London, Peter Greenaway trained as a painter for four years, and started making his own films in 1966. He now lives in Amsterdam.
He has continued to make cinema in a great variety of ways, which has also informed his curatorial work and the making of exhibitions and installations.
He has made 12 feature films and some 50 short-films and documentaries, been regularly nominated for the Film Festival Competitions of Cannes, Venice and Berlin, published books, written opera librettos, and collaborated with composers Michael Nyman, Glen Branca, Wim Mertens, Jean-Baptiste Barriere, Philip Glass, Louis Andriessen, Borut Krzisnik and David Lang.
His first narrative feature film, The Draughtsman¹s Contract, completed in 1982, received great critical acclaim and established him internationally as an original film maker, a reputation consolidated by the films, The Cook, the Thief, his Wife & her Lover and The Pillow-book, The Tulse Luper Suitcases, and most recently by Nightwatching.
Here is a really interesting interview with Peter Greenaway where he talks about using VJing as a way of delivering narrative based content and the death of film
Here is a talk from Lovebytes 2005 wher he is talking about Cinema of the Future
and here is a performance he gave in Moscow.
